ɑղժɾօʍɑϲհҽ (
oiorpata) wrote in
ximilialog2022-05-28 12:17 pm
open 🗡may staycation
CHARACTERS: andy + open!
LOCATION: various station spots
DATE: post vrefesea mission
CONTENT: misc downtime feat an axe
WARNINGS: temporary burns and gnarly injuries in closed starters
I 🗡 QUIT YOUR JOB
II 🗡 LIVE IN THE WOODS
III 🗡 WILD CARD + POTENTIAL TRAINING
LOCATION: various station spots
DATE: post vrefesea mission
CONTENT: misc downtime feat an axe
WARNINGS: temporary burns and gnarly injuries in closed starters
I 🗡 QUIT YOUR JOB
[ after the initial arrival back on the station, the kaiju blood is clean and her skin is ✨ clear ✨, but she lost track of joe in the chaos, and there are others she wants to check on now that there isn't a lizard monster determined to tear everything up. her clothes are a bit of a mess - torn from the fight, holey from the blood, revealing pockets of unmarked and uninjured skin as her ex-archeologist attire is no longer fit for service. but she is deeply unconcerned in the immediate about any exposures, especially now that she's rid herself of the acidic blue sludge. ]
[ her axe is neat on her back in its holster, guns tucked away, and she looks remarkably put together for a woman who just double-team killed the train monster. mostly she is moving through the orbers, but she'll stop at anyone who looks worse for wear, or at anyone she already knows even a nominal amount. she can't believe how concerned she's getting for these orbers. ugh. ]
You good? [ injured? in need of a snack? a literal lift to the infirmary?? ]
[ after the visits to the infirmary, andy makes her way to the kitchen. her axe is still at her back, her clothes are still a mess, but she wants a goddamn drink. for once in her life she doesn't steal the whole bottle of vodka, popping it open and pouring herself a full glass at the counter instead. it is roughly the size of a beer mug. ]
[ and then she just starts to chug it. water break?? no. this is better. snacks will be next. ]
II 🗡 LIVE IN THE WOODS
[ andy, as always, prefers the sunlight room. ]
[ perhaps today she is sitting beside the stream, barefoot with a smatter of tools scattered around her as she scrubs and cleans her axe. she made sure the kaiju blood was removed quickly and immediately, but it was a good reminder that it's probably due for a good fixer upper. the sun is warm, and she's in a dark tank top with black leggings, expertly wiping it down. at some point she switches over to sharpening it. ]
[ it's old as balls, just like she is, and it does not have the same healing properties. but she handles it with both great care and expertise. ]
[ if she's not with her axe, she is probably just sleeping. her feet dangle in the stream and she lays flat on her back, eyes closed. the sun feels nice on her face and she enjoys the quiet, save for the sound of the water. she won't miss anyone approaching, but she'll give it a minute to see if they pass before saying anything. ]
Come on in, the water's fine. [ the water is in fact chilly, and maybe she's not entirely asleep despite all appearances. there is also zero sign of injury, despite most assuredly coming in close contact with kaiju blood. ]
III 🗡 WILD CARD + POTENTIAL TRAINING
[ throw something at me or lets chat!! you can find me atcommunism or romanitas#5368 @ disco! wildcard me or we can do a custom thing! c:
[ definitely open to training stuff, especially if we've talked about it before, but i'd prefer to write up a custom thing given andy + weapons etc so hit me up if you'd like and lets plot! or drop one of your own design! you wanna learn to use any weapon at all?? andy's ur girl. ]

closed 🗡
no subject
And as always, Clara leaps into action. Nodding, she grabs hold of the axe and takes off at a run toward the piles of towels and blankets that she and a few others have arranged in case anyone needs them on the platform. She grabs two towels. One to wipe down the axe with, and the other to toss to Andy.
She's in the middle of wiping it down, making careful to avoid getting anything on her hands. She's already got a burn on her arm thanks to the blood and isn't looking forward to any further pain.
It's after she's tossed Andy the towel and is almost done cleaning the axe when she realizes something. She can't believe that someone would care so much about a weapon. Not when they're being burnt themselves.
It leaves Clara's trust issues put on the back burner as more pressing curiosities take priority.]
We need to get you to the shower. Come on.
[But first, she needs to take care of her friend.]
no subject
[ she spares a glance to where clara is working on the axe, feeling a little guilty that she shoved it at her before even asking if she was all right herself, but relieved that it'll likely be fine with clara's quick work. ]
[ she wipes down her face and neck next, then moves onto to her other arm, brushing it off as best she can, but the blood is beginning to eat away at the towel too. ]
Probably a good idea.
no subject
The blood is corrosive. Which you can feel right now. Once you're clean, I can grab my first aid kit and try to treat your burns.
[It's about then that she swears she sees a patch of skin that was previously burnt now looking just fine. But she must be mistaken, she thinks. That doesn't stop her from starting to walk a little faster.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
closed 🗡
no subject
She doesn't try to sit up, but she does turn her head in Andy's direction when she sits on the side of her bed.]
Thanks.
[Licking her dry lips, Daisy's eyes are slightly unfocused but that doesn't stop her from being a little shit.]
You don't look so hot yourself. You've got a little--
[She lifts her uninjured hand, pointing at her own cheek.]
That's not yours, right?
no subject
[ andy takes a quick look again at the wounds, frowning as daisy still asks after her despite clearly being in worse shape. but that's daisy. ]
[ she wipes the blood off her cheek. ] Not mine. And my healing's back, so you have no reason to worry about me right now. Do you need water?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
LIVE IN THE WOODS
Though clearly that doesn't translate into leaving Andy to her apparent nap.]
Hm. Think I'd rather not take off my shoes. But you enjoy.
no subject
[ she recognizes the voice before she opens her eyes to see who's approaching, and her first response is to kick her feet in the water, making a few little splashes. ]
Complicated shoes? That's the biggest problem with certain boots. [ she loves boots but they can be a pain to lace up and down. ]
no subject
It feels real enough. She figures the water would feel real too.]
I do love a good pair of boots.
[And she's not sure she's ready for that.]
You seem to be enjoying yourself, though.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
Quit Your Job
[ Zari's clothes are shredded, one of her arms is burned and both of her legs are scratched up and while none of it looks life-threatening, she's in a lot more pain than she'd like to be, but as soon as Andy asks her if she's good, she just throws her good arm around the other woman and clings for a moment. ]
Are you okay?
no subject
I'm not hurt. [ she knows she might look a mess, but it's only in looks. ] But you should probably get a little bandaged up.
no subject
I'm fine. I mean it hurts a lot, but like I'm okay, you know?
[ It takes a moment for her to realize she's hugging some truly messed up remnants of clothing, though. ]
Wait, what the hell happened to you?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
live in the woods;
We meet again.
[ Closing the remaining distance, she sits nearby, careful not to be in the way. ]
It is a beautiful axe.
no subject
[ but she does look up from her axe at the familiar voice. ]
It is. But I do take care of it. [ with the amount of carnage it's seen, it really is a wonder it's still kicking. ] And I might be biased.
no subject
We usually are when it comes to favorites. Especially when they've kept us alive as long as that one looks like it has.
[ She isn't asking outright, not that she's ever let rudeness stop her from saying (or doing) much of anything, but there's a question in it all the same. ]
(no subject)
sparz;
he is not using chakra, nor the sharingan. his eyes are black, and his reflexes — while still inhuman — are not as unmatchable as they would otherwise be.
— but he is willing to concede that it is her skill, more than his lack of it, that leads to her disarming him with a deft stroke of her blade. he draws a kunai deftly, continuing with the parry, and the blades spark, sliding together until he throws her back.
it's almost fun, which is perhaps why there's a very faint curve of amusement at one corner of his mouth.
he's having a good time. )
no subject
[ she loves a good sword, okay? and itachi is very good with his. it's nice to feel a challenge. her style isn't anything proper, though she did learn all the correct forms at some point. ]
[ she disarms him and the kunai comes out; she stumbles back but catches herself, immediately launching back at him with a grin on her own face. it doesn't escape her that he looks like he's having fun, just like she didn't miss that he dropped the -san earlier. she swings high but kicks her leg out in the same motion. ]
no subject
she sweeps her leg out, and he blocks her kick with the raise of one leg, letting the blow impact against his shin. dodging the sword is trickier — it's a poor angle for a parry, and dropping below its scything arc will put him uncomfortably near her knee.
she'll stop before she hits him, he knows that much. she is too skilled to make skin contact unless she's chosen to do so. he trusts her, inasmuch as he trusts anyone here. but trust cannot, in that moment, overcome nearly two decades of instinct — he has not suffered anyone with a blade at his throat since shisui.
one hand twitches into a seal, too fast to follow with the naked eye, and in an instant he's swapped places with a clone. at the same moment, the point of her blade comes to a halt against its throat.
the clone is still, and then bursts into crows. they are themselves clones, rather than summons — his contracts have been sealed aboard the ximilia for months — and they linger only a few additional seconds in that form until they puff out of existence in a gust of white smoke.
itachi is standing several meters away, and has bent to pick up his sword. )
That was an interesting maneuver.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
cw: discussion of children/fertility
(no subject)
(no subject)
(no subject)
cw: suicidality
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
cw: familicide/suicidality
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
quit your job;
the moment she'd returned to the station, her body had nearly melted on the spot, managing to escape on clumpy legs to her room just in time before being spotted by the others, giving her the space to quite literally pull herself back together into looking like a proper person again.
hours it had taken, but rita farr eventually makes her way to the kitchen, no imperfection in sight, even if it's taking all of herself to stay looking like that.
she needs a drink, probably. a good martini. a gin and tonic. anything to cope with the loss of those few days of bliss — though the moment she gets there, she finds someone's already beaten her to it, her brow raising at the woman chugging down her glass. ]
Am I intruding on a private little toast or is there free entry for company?
no subject
[ she's made it about halfway through her mug before company arrives and the woman speaks up. she takes another big gulp then breaks it with a deep breath. ]
[ then she pushes the bottle over to share. good thing she didn't chug from the bottle itself this time! ]
I'll toast to more drinks, but only after I finish this one.
no subject
when the bottle is nudged in her direction, she plucks out another glass before beginning to pour. even if she weren't sharing, she's not normally a straight-from-the-bottle kind of gal, if she can help it. best to maintain class even in times where she's fighting to pull out her own hair. ]
Is this a celebratory toast or one for simply trying to get through another day here?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
II 🗡 LIVE IN THE WOODS
it's where they first met, where they meet again when moiraine's steps take her along the path, lead her to the stream. though unlike andy she's really not dressed for dipping into the stream.
maybe she'll be convinced later )
I've only ever seen beautiful days here.
( she does at least perch nearby, legs tucked under her as she sits )
no subject
[ she looks up to see moiraine settling in, unsurprised they've once again found themselves in the same place. it matches with the vibe she got of the woman the first time around. ]
It was full of snow in the winter. [ a beat. ] But I don't always mind the snow, so I still found it welcoming.
no subject
( it helps when you are able to literally shrug off the cold, to not have to feel the temperature of anything around you )
At least in seeing it.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)